Welcome to Recreate, a historical blog dedicated to highlighting prominent African American women whose lasting contributions have influenced the civil rights movement, politics, science, business, technology, art, music, theatre, beauty, and fashion.
The featured recreate photograph is a collage of the famous playwright Lorraine Hansberry on the left, and myself on the right. Lorraine wrote “A Raisin In The Sun”, the first play written by an African American to be produced on Broadway. The play debuted in 1959 and was meet with much acclaim. It tells the story of a poor African American family that struggles to raise above socioeconomic conditions only to face housing discrimination on the basis of race. Hansberry is the first black playwright, the youngest American, and only the fifth woman to win a New York Critics’ Circle Award. The title of the play comes from a line in the poem “Harlem” written by Langston Hughes.
Lorraine was heavily involved in the civil rights, a public figure, and popular speaker at a number of conferences and meetings. Among her most notable speeches was one delivered to a black writers’ conference sponsored by the American Society of African Culture in New York. In her speech, Hansberry declared that “all art is ultimately social” and called upon black writers to be involved in “the intellectual affairs of all men, everywhere.” As the civil rights movement strengthened, Hansberry helped to plan fund-raising events to support organizations such as the Student Nonviolent Coordinating Committee (SNCC). Along with other influential people, including Harry Belafonte, Lena Horne and James Baldwin, Hansberry met with then attorney general Robert Kennedy to test his position on civil rights.
After Hansberry died in 1965, she left a number of finished and unfinished projects. A collection of her works were published under the title “To Be Young, Gifted, and Black”, which was also made into an off-Broadway play. Her close friend Nina Simone wrote the song “To Be Young, Gifted, and Black” to honor Hansberry’s memory.
Model: Jasmine Y. Williams
Photography Credit: M Photography by Randolph Means
Helen Williams was the first Black Fashion Model to break color barriers in the 1950’s and to cross over into mainstream fashion. She was triumphant in her career, in an age and era when mainstream beauty and fashion excluded non-white models. Even more so she pushed through colorism within the African American modelling scene where models were required to be light-skinned (just like the African American chorus girls of the 1920’s).
Helen was born in Riverton, New Jersey in 1937. At an early age she showed a great obsession for fashion and even began sowing her own garments at the age of 7. She studied dance, art and drama before obtaining work as a stylist for a New York photography studio. At the age of 17, celebrities such as Lena Horne and Sammy Davis Jr. began to notice her work and urged her to pursue fashion and modelling.
In the early stages of her career, Helen worked exclusively with Ebony and Jet magazines. However, in 1960 she relocated to France due to the discrimination she faced in the United States. She found success modeling for famous designers Christian Dior and Jean Dessès. “Over there I was ‘La Belle Americaine,’” she recalled. By the end of her tenure she was making a staggering $7,500 a year working part-time, and had received three marriage proposals from her French admirers, one of whom reportedly kissed her feet and murmured, “I worship the ground you walk on, mademoiselle.”
After Paris, Helen returned to America where the stigma of race was worst especially towards darker toned African American females. As she searched for modelling agencies she was told “No” numerous times. While searching for a new agent in New York City, she was once told by an agency that they already have“one black model already, thanks.” However, she was persistent and would not take no for an answer. “I was pushy and positive,” she recalled. Despite being rejected, she decided to take her case to the press. Two white journalists Dorothy Kilgallen and Earl Wilson wrote about her cause, ultimately bringing attention to the exclusion of black models within the modeling and fashion industry.
Suddenly doors began to open and Helen started getting work. She was booked for a variety of jobs for brands such as Budweiser, Loom Togs, Sears, and Modess, which crossed over for the first time into the mainstream press, in titles such as The New York Times, Life and Redbook. By 1961, her hourly rate had shot up to $100 an hour.
Helen was one of the first clients of Ophelia DeVore’s Grace De Marco modeling agency. Ophelia (former model turned agent) was a shrewd businesswoman with keen insight and endless aspirations, who worked to smash stereotypes and empower black women by teaching them poise, confidence, and the courage to get ahead in a world deeply etched by racial discrimination. Through her modeling agency, DeVore helped launch the early careers of many black celebrities, including actresses Diahann Carroll and Cicely Tyson,mand actor Richard Roundtree. Needless to say, Helen benefited under her tutelage. DeVore continued to follow Helen’s career through personal correspondence and the press and kept letters, photographs and press clippings, both positive and negative, in carefully organized binders.
Helen has been credited with breaking down racial barriers. In 2004, Helen was the recipient of the Trailblazer Award by the Fashion & Arts Xchange organization at a ceremony at New York’s Fashion Institute of Technology. Her caramel complexion paved the way for darker skinned African American models as she broke the tradition of only using white and light-skinned models in mainstream. Although it took some time, this new acceptance eventually resulted in more doors of opportunity being opened for women of color in the world of fashion. Helen created a legacy that gave birth to daughters Naomi Sims, Beverly Johnson, Iman, Naomi Campbell, and Jourdan Dunn. She is the classic example of a black diamond, which is beautiful, unique and extremely rare.
Helen retired from modeling in 1970, but continued her career in fashion as a stylist. She married Norm Jackson in 1977, whom she had met during her modeling days. They reside in Riverton, New Jersey.
“I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel,” prolific words from the remarkable force, known as Maya Angelou. Indeed the poet, writer, author, civil rights activist, playwright, dancer, and singer has left a blistering affect on humankind with her wisdom, poetry, and prose. This legendary powerhouse has written more than 36 books 17 of which were bestsellers), has traveled the world before the age of 30, spoke 4 different languages, and was the first female and African American to recite a poem at a Presidential Inauguration. Throughout her career, she has gracefully demonstrated a remarkable ability to translate the African American experience, highlighting its struggles, strengths, humanity, and dignity. In 2011, President Barack Obama bestowed upon her the honorary Presidential Medal of Freedom.
On April 4, 1928, Maya Angelou was born as Marguerite Johnson in St. Louis, Missouri. Her parents moved to Long Beach California shortly after her birth. Her mother, Vivian Baxter Johnson, was a nurse, merchant seaman, and professional card dealer. Her father, Bailey Johnson Sr., served in the United States Navy and worked in the kitchen of a Naval Hospital. He had been in France during World War I and had also worked as a hotel doorman in Santa Monica. Maya’s elder brother, Bailey Jr. give her the nickname Maya.
At the ages of 3 and 4, Maya and Bailey Jr. were sent to live with their paternal Grandmother Annie Henderson in Stamps Arkansas, after their parents divorced. They were shipped by train, with their tickets pinned to the inside of Bailey Jr.’s coat pocket. Their overseers were the train attendants.
Maya’s grandmother owned the only general store in the small town of Stamps. It was called Wm. Johnson General Merchandise Store, which provided food, produce, and everyday consumer goods. Under her grandmother’s guardianship, both Maya and Bailey Jr. were accountable for daily chores at the store, as well as, staying on track of their schoolwork. Maya and Bailey Jr. were avid readers and demonstrated real promise in the world of academia.
In 1935, at the age of 7, Maya’s father arrived in Stamps unexpectedly to take Maya and her brother to St Louis Missouri to live with their mother. Maya enjoyed the thrill of the fast pace city, and being united with kin. However, after a year in St. Louis, Maya was raped by her mother’s boyfriend, “Mr. Freeman.” After the incident had taken place, he threatened to kill anybody that Maya told. Therefore she attempted to keep the incident a secret from family, until she fell noticeably ill, and her soiled underwear was discovered from underneath the bed.
During the court trial, Maya gave her account of what happened. As an eight year old, she felt divided on how to address the interrogating questions from which the defense lawyer darted at her. The rape was evident, however, she had not been fully capable of expressing the fact that “Mr. Freeman” had touched her inappropriately on multiple accounts. As a result of the trial, the court had sentenced Mr. Freeman to one year and one day in jail. However, he never got a chance to serve his time and was released the same afternoon. Four days later, he was found dead (possibly killed by Maya’s protective uncles).
When Maya was informed about her rapist’s death, she decided to stop talking, fearing that her words had killed a man. She became virtually mute for about five years. In 1937, she and Bailey Jr. were sent back to Stamps to live with their grandmother again. Her absence of speech, broadened her love from language.
In 1942, she was introduced to Bertha Flowers , a classy educated black woman, who took a special interest in Maya. Mrs. Flowers sought permission from Maya’s grandmother to have Maya over for tea and cookies one afternoon. Mrs. Flowers knew the mute girl could read voraciously, but as she explained to Maya that afternoon, “words mean more than what is set down on paper. It takes the human voice to infuse them with the shades of deeper meaning.” During their meeting, Mrs. Flowers read ” A Tale of Two Cities” out loud, and for the first time in her life Maya had heard poetry. Mrs Flowers asked Maya did she like it and Maya responded audibly with “Yes Ma’am.” She was then given a book of poems and instructed to memorize one of them, and was asked to recite it at their next meeting.
Maya credits Mrs. Flowers with helping her to speak again. She began to memorize and recite poems by William Shakespeare, Langston Hughes, Henry Wadsworth Longfellow, and Paul Laurence Dunbar. These authors had an affect on her life and career.
Maya graduated at the top of her eighth grade class. After graduation, she and her brother rejoined their mother, who had moved to San Francisco. She attended George Washington High School and won a scholarship to study drama and dance at the California Labor School. She found work as a streetcar conductor and was the first African American woman to hold that type of job.
At age 17, Maya graduated from high school and three weeks later, gave birth to her son, Clyde Bailey Johnson, who later changed his name to Guy Johnson. As she explained in her third autobiography, “Singin’ and Swingin’ and Gettin’ Merry like Christmas” she held odd jobs and “worked as a shake dancer in night clubs, fry cook in hamburger joints, dinner cook in a Creole restaurant and once had a job in a mechanic’s shop, taking the paint off cars with my hands.”
In 1950, she married a Greek former sailor, and aspiring musician Tosh Angelos. During this time, she took modern dance classes and met dancers and choreographers Alvin Ailey and Ruth Beckford. Maya and Ailey formed a dance team, calling themselves “Al and Rita”, and performed modern dance at fraternal black organizations throughout San Francisco. Maya, her new husband, and her son moved to New York City so she could study African dance with Trinidadian dancer Pearl Primus, but they returned to San Francisco a year later.
After Maya’s marriage ended in 1954, she danced professionally in clubs around San Francisco, including the Purple Onion, where she sang and danced to calypso music. Up to that point she went by the name of “Marguerite Johnson”, or “Rita”, but at the strong persuasion of her managers and supporters, she changed her stage name to “Maya Angelou” (combining her nickname and former married surname). It was a name of distinction, which set her apart and captured the feel of her calypso dance performances.
In 1954, her career as a performer began to take off. She landed a role in a touring production of Porgy and Bess, and performed in 22 countries from 1954 to 1955. She later appeared in the off-Broadway production Calypso Heat Wave and released her first album, Miss Calypso in 1957.
A year later, she joined the Harlem Writer’s Guild where she met James Baldwin and other important writers. In 1961, Maya appeared in an off-Broadway production of Jean Genet’s “The Blacks” with James Earl Jones, Lou Gossett Jr. and Cicely Tyson. She soon joined the civil rights movement, where she had the opportunity to hear Dr. Martin Luther King speak. Inspired by his message, she decided to help the fight for civil rights. She was offered a position as the northern coordinator for Dr. Martin Luther King Jr.’s Southern Christian Leadership Conference. She organized and starred in the musical revue Cabaret for Freedom as a benefit to the organization.
Following her work for Dr. Martin Luther King Jr., she met Vusumzi Make, a South African freedom fighter, and moved with him and her son to Cairo Egypt. She worked as an associate editor for the Arab Observer. In 1962, after her relationship with Make ended, she moved to Accra Ghana, where her son had planned to attend college. However, he was seriously injured in an automobile accident. Maya remained in Accra for his recovery and ended up staying there until 1964. She worked as an administrator at the University of Ghana, and was active in the African-American expatriate community called “Revolutionist Returnees” exploring pan-Africanism.
In 1964, she returned back to the United States to work as an organizer for Malcolm X. She was helping him to build a new civil rights organization, the Organization of Afro-American Unity. Unfortunately the organization was disbanded after Malcolm X’s assassination the following year.
Despite having almost no experience, she wrote, produced, and narrated “Blacks, Blues, Black!.” It was a ten-part series of documentaries about the connection between blues music and black Americans’ African heritage, and what Maya called the “Africanisms still current in the U.S.” The production aired in 1968 on The National Educational Television, a precursor of PBS.
The year 1968 was also the timeframe in which she helped in planning the Poor People’s Campaign in Memphis, Tennessee for Dr. Martin Luther King Jr. He was assassinated on Maya’s 40th birthday. Devastated by the event, she stopped celebrating her birthday for years afterward, and sent flowers to King’s widow, Coretta Scott King, for more than 30 years, until Coretta’s death in 2006.
While still in mourning over Dr. Martin Luther King Jr.’s death, a close friend and fellow writer James Baldwin invited Maya to a party at the home of cartoonist Jules Feiffer. Feiffer’s wife, Judy, was inspired by Maya’s life stories and urged, Random House editor Robert Loomis to sign Maya to a contract. “I Know Why the Caged Bird Sings” was published in 1969, which brought her international recognition and acclaim.
Her screenplay, Georgia, Georgia (1972), was the first original script by a black woman to be produced. In 1977, she appeared in the television mini-series Roots. In 1998, she was the first African-American woman to direct a major motion picture, Down in the Delta.
Maya’s long and extensive career also includes educator and public speaker. For a period of time, she lectured at UCLA. In 1982, she earned the first lifetime Reynolds Professorship of American Studies at Wake Forest University in Winston-Salem, North Carolina.
She was selected by President Bill Clinton (fellow Arkansas native) to write and recite a poem for his Inauguration on January 20, 1993. She wrote “On the Pulse of Morning,” and with her public recitation, Maya became the second poet in history to read a poem at a presidential inauguration. She was also the very first woman and African American to do so.
On May 28, 2014, after experiencing health issues for a number of years, Maya Angelou died at her home in Winston-Salem, North Carolina.
Timeline of Awards Earned:
1970- Receives the Chubb Fellowship Award, Yale University
1972- Receives the Pulitzer Prize Nomination for Just Give Me A Cool Drink of Water ‘Fore I Die
1976- Receives the Ladies’ Home Journal Award (“Woman of the Year in Communication”)
1977- Receives the Golden Eagle Award, Afro-American in the Arts
1986- Receives Fulbright Program 40th Anniversary Distinguished Lecturer award
1991- Receives Langston Hughes Medal
1993- Grammy for “Best Spoken Word Album,” “On The Pulse of Morning,”
1996- Martin Luther King, Jr. Legacy Association National Award
1998- Receives Audience Choice Award
2005- Receives NAACP Image Awards in the outstanding literary work (nonfiction) category
2006- Receives Mother Teresa Award
2008- Becomes the first recipient of Hope for Peace and Justice Voice of Peace award
2009- Receives NAACP Image Awards in the outstanding literary work (nonfiction) category
2011- Receives the Presidential Medal of Freedom Maya Angelou Quotes:
“I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.”
“Nothing will work unless you do.”
“When someone shows you who they are, believe them the first time.”
“When you learn, teach. When you get, give.”
“Never make someone a priority when all you are to them is an option.”
“I don’t trust people who don’t love themselves and tell me, ‘I love you.’ … There is an African saying which is: Be careful when a naked person offers you a shirt.”
“You alone are enough. You have nothing to prove to anybody.”
“If I am not good to myself, how can I expect anyone else to be good to me?”
“A woman’s heart should be so hidden in God that a man has to seek Him just to find her.”
“You can only become truly accomplished at something you love. Don’t make money your goal. Instead pursue the things you love doing and then do them so well that people can’t take their eyes off of you.”
“Have enough courage to trust love one more time and always one more time.”
“My mission in life is not merely to survive, but to thrive; and to do so with some passion, some compassion, some humor, and some style”
“Success is liking yourself, liking what you do, and liking how you do it.”
“I did then what I knew how to do. Now that I know better, I do better.”
“We delight in the beauty of the butterfly, but rarely admit the changes it has gone through to achieve that beauty.”
“You may not control all the events that happen to you, but you can decide not to be reduced by them.”
“Try to be a rainbow in someone’s cloud.”
“You may encounter many defeats, but you must not be defeated. In fact, it may be necessary to encounter the defeats, so you can know who you are, what you can rise from, how you can still come out of it.”
The “I Put A Spell On You,” songstress, Nina Simone left a lasting impression on world, through her music, artistry, and courageous activism. To this day, her legacy lives on, continuing to inspire and influence generations both young and old. She captivated listeners with her her powerful voice and commanding presence. Let’s learn more about the polarizing perpetual force known as Nina Simone.
Born as Eunice Kathleen Waymon on February 21, 1933 in Tryon, North Carolina, she was the oldest of 2 children born to Mary Kate Waymon and John Divine Waymon. Her father was a preacher, handyman who once owned a dry cleaning business. Her mother was a Methodist minister and housemaid.
Ms Simone’s prodigal gift was recognized at an early age when she began playing the piano (by ear) at the age of three. She played the piano in her mother’s church, but did not sing. Determined to help develop this raw talent, an Englishwoman named Muriel Mazzanovich give young Eunice piano lessons. Under her tutelage, Ms Simone studied Bach, Johann Sebastian, Chopin, Brahms, Beethoven, and Schubert. Her teacher also organized local concerts for Ms Simone to display her talent. Funds raised from the concerts were used to further Ms Simone’s education.
After graduating from Allen High School in Asheville North Carolina, as Valedictorian of her class, she matriculated to the famed Julliard School in New York City. Eventually she had to leave the school when her means of funding her education were depleted. Hoping to be accepted into the prestigious Curtis Institute of Music, she along with her family moved Philadelphia. However, her hopes were dashed when she was denied acceptance into the school in-spite of rendering a well received recital. She believed, racism was the reason for the rejection. Two days prior to her death, the same institution bestowed upon her an honorary doctorate.
As a means of survival, Ms Simone began teaching music to local students. In 1954, seeking to supplement her income, she auditioned to sing at Midtown Bar & Grill in Atlantic City, New Jersey. Word quickly spread about the new singer and pianist who took the stage, showcasing plush vocal tones combined with mastery of the keys. She attracted several club goers up and down the Coast. Her growing popularity prompted her to change her name in order to disguise the fact that she was playing in bars, a notion her parents would gravely disapprove of had they been aware due to her strict upbringing. Therefore Eunice Waymon changed her name to Nina Simone by taking Nina meaning “little one” in Spanish and Simone after the French actress Simone Signoret.
At the age of 24, she got her break into the record industry when she signed with Bethlehem Records. It is with that particular label she recorded “I Loves You, Porgy” which lead to a Grammy Hall of Fame Award and “My Baby Just Cares For Me” which was used in a Chanel No. 5 commercial in Europe and became a massive hit topping the British charts at #5.
Having recorded more than 40 albums during her career, Nina Simone employed a broad range of musical styles which included jazz, blues folk, classical, spiritual, and pop. Clearly she was an extraordinary talent who could not be easily classified.
During the Civil Rights Era, Nina was deeply affected by the killings of Medgar Evers and the Birmingham Church bombing, which claimed the lives of four African American girls. These events ignited the first of many civil rights songs “Mississippi Goddamn.” In 1962, she had befriended noted playwright Lorraine Hansberry and spoke often with her about the Civil Rights Movement. Hansberry had been a personal friend whom Simone credited with cultivating her social and political consciousness. “To Be Young Gifted and Black” was a play Hansberry had been working on prior to her death. Ms. Simone took Hansberry’s play and turned it into a song, in Hansberry’s memory. “To Be Young Gifted and Black” was also credited as a civil rights anthem.
Ms Simone’s circle of friends was infused with prominent men and women, who were well read, well traveled, motivators, and agents of change. Malcolm X and Betty Shabazz were both friends and neighbors of Ms Simone, residents of Mount Vernon New York. Prolific author, writer, and public speaker James Baldwin and Harlem Renaissance leader, and famed poet Langston Hughes were among other affiliates.
Ms. Simone performed and spoke at many civil rights meetings, such as the Selma march. In 1968, after the death of Dr. Martin Luther King Jr, Simone and her band performed “Why (The King Of Love Is Dead), at the Westbury Music Festival, in honor of the legendary Civil Rights Leader. “Four Women” and “Strange Fruit” continued to keep her in the forefront of the few artists willing to use music as a catalyst for social change. During that time of extreme civil upheaval, such risks were scarcely taken by performers. She stood up for her beliefs and sacrificed her career for her activism.
As the 1960’s drew to a close, Simone tired of the American music scene and the country’s deeply divided racial politics. She spent a good deal of the 1970’s and early 1980’s living in Liberia, Barbados, England, Belgium, France, Switzerland and The Netherlands. Eventually, she settled down in the South of France.
For years, Ms. Simone dealt with personal struggles such as martial, financial, and severe mental health issues. Her marriage to Andrew Shroud (former manager) was abusive physically, mentally, and emotionally. She had frequent outbursts and clashes with managers, record labels, and the Internal Revenue Service regarding her finances. In the late 1980’s, she was diagnosed with bipolar disorder..
On April 21, 2003, Ms. Simone died in her sleep at her home in Carry-le-Rout, Bouches-du-Rhone France. Her funeral service was attended by an array of famous artists such as Miriam Makeba, Patti Labelle, poet Sonia Sanchez, actor Ossie Davis, actress Ruby Dee, and hundreds of others. World renowned singer, Elton John sent a floral tribute with the message, “You were the greatest and I love you”. Her legacy continues…
Nina Simon Quotes:
“There’s no excuse for the young people not knowing who the heroes and heroines are or were.”
“Everything that happened to me as a child involved music. Everybody played music. There was never any formal training; we learned to play the same way we learned to walk, it was that natural.”
“You can’t help it. An artist’s duty, as far as I’m concerned, is to reflect the times.”
“Jazz is a white term to define black people. My music is black classical music.”
“I’m a real rebel with a cause.”
“Once I understood Bach’s music, I wanted to be a concert pianist. Bach made me dedicate my life to music, and it was that teacher who introduced me to his world.”
Sexy, stunning, sultry are just a few words to describe the polarizing actress, former model, and pageant queen known as Halle Berry. To date, she is the only black woman to win an Oscar for Best Actress. Her non-conventional looks have helped to redefine American beauty standards, and continues to drive the dialogue about what it means to be a black woman in Hollywood. Although she’s undeniably gorgeous, Halle Berry has proven that her beauty goes beyond the surface, by speaking out against domestic violence, and having a voice in “Black Lives Matter”. Let’s learn more about the ageless bombshell that has sizzled the silver screen for over two and a half decades.
Born as Maria Halle Berry on August 14, 1966 in Cleveland Ohio, her name was legally changed to Halle Maria Berry at the age of five. Her parents selected her middle name from Halle’s Department Store, which was a local landmark in Cleveland. She was the youngest daughter born to Jerome and Judith Berry, an interracial couple. Her older sister is Heidi Berry.
Her mother Judith was a psychiatric nurse from Liverpool, England and is of German ancestry. Judith first met Halle’s father Jerome Jesse Berry, an African American, when he was stationed in England as a serviceman in the US Air Force. Jerome worked first as an Air Force veteran, a bus driver, then a hospital attendant while he was alive. Judith subsequently moved to America to marry him and they settled in Cleveland.
Initially, Halle and her older sister Heidi, spent the first few years of their childhood living in an all black neighborhood. Her father was an alcoholic, and was very abusive to her mother. In interviews, Halle recalled witnessing her mother being beaten daily, kicked down the stairs, and hit in the head with a wine bottle. In the early 1970s, her parents divorced when she was 4 years old, after which her mother moved her family to the predominantly white Cleveland suburb of Bedford.
Halle attended a nearly all-white public school. Throughout her childhood she experienced difficulties with her biracial background, constantly being torn between both extremes of her ethnicity. “When we lived in the black neighborhood, we weren’t liked because my mother was white. In the white neighborhood they didn’t like me because I was black,” she told Lesley O’Toole in the Evening Standard. “That was the beginning of me trying to be what I thought people wanted me to be,” she recalled. “If they wanted me to be the clown, I’d be the clown. If they wanted me to get straight A’s, I’d get straight A’s,” Berry stated.
Her early encounters with racism greatly influenced her desire to excel. Throughout high school, the determined teen was involved in a broad array of extracurricular activities ranging from newspaper editor, class president, to head cheerleader. At age 17, she won the Miss Teen All-American Pageant, representing the state of Ohio in 1985. The following year, she became the first runner-up in the Miss U.S.A. Pageant.
In 1989, Halle moved to New York City to pursue her acting career. During her time there, she ran out of money and had to live briefly in a homeless shelter. Later that year, her situation improved and she was cast in the short-lived television series Living Dolls, which was a spin-off of the hit series Who’s the Boss?. During the taping of Living Dolls, she passed out for a week and was diagnosed with Type 1 diabetes. After Living Dolls was cancelled, she moved to Los Angeles where she landed a recurring role on the long-running series Knots Landing.
In 1991, Halle broke onto the big screen when she was cast as Samuel L. Jackson’s drug addicted girlfriend in the hit movie Jungle Fever directed by Spike Lee. Her commitment to the role was notable in the fact that she stayed in character throughout the filming of the movie. She even refused to shower for days so that she could actually feel the desperation and hopelessness that the character required.
She went on to star in multiple films throughout the 90s which expanded well into the new millennium. These movies include:
The Last Boy Scout
Race the Sun
The Rich Man’s Wife
Why Do Fools Fall In Love
Die Another Day
X-Men: The Last Stand
Their Eyes Were Watching God
The Things We Lost in the Fire
Frankie & Alice
New Year’s Eve
X-Men Days of Future Past
In 2002, she was the first African-American woman to win an Academy Award for Best Actress, which she received for her role in Monster’s Ball. This role generated controversy due to the graphic nude love scene with a racist character played by co-star Billy Bob Thornton was the subject of much media chatter and discussion among African Americans. In her very tearful and joyous acceptance speech she declared “This moment is so much bigger than me. It’s for every nameless, faceless woman of color that now has a chance because this door tonight has been opened.”
In an interesting coincidence she became the first woman of color to win the Academy Award for Best Actress (earlier in her career, she portrayed Dorothy Dandridge, the first African American to be nominated for Best Actress, and who was born at the same hospital as Berry, in Cleveland, Ohio.
Now looking back on her win, following the controversy surrounding the 2015 Oscars, and the lack of progress since 2002, Halle recently told Teen Vogue that what first felt like a major milestone now feels almost meaningless. “It’s troubling to say the least,” she began, adding that the 2015 Oscar race, in which no actors of color were nominated for major awards, “was probably one of my lowest professional moments.” That feeling, she said, left her “profoundly hurt” and “saddened.” But she also admitted that it has inspired her to get involved in other ways, which is why she wants to start directing. “I want to start being a part of making more opportunities for people of color.”
With a multi-decade acting career under her belt, Halle is focused on using her voice and her platform to speak out about the issues that really matter to her. Halle continues to drive dialogue around being a mom to a black son in the age of Black Lives Matter, and the strides necessary to diversify Hollywood. Halle states, “we have to start getting people to be change agents and walk the talk, not just talk the talk.”
Halle has also used her platform to speak out against domestic violence, stating that it is one of her life’s purposes “to help others, especially women” after her experiences with domestic abuse. In 2015, she attended the”Imagine” VIP cocktail party, where proceeds benefit the Jenesse Center, a national domestic violence prevention and intervention organization that provides services and outreach efforts to afflicted families and helps move them from crisis to self-sufficiency, she opened up about her experience. “I saw my mother battered and beaten many years of my life and I felt helpless. And that’s what connects me to this organization. I have an understanding, a knowing. I feel like I have something that I can impart to these women. It seems like I’ve overcome it, but I really haven’t. In the quiet of my mind, I still struggle. So while I’m helping these women, I’m helping myself through it, too. And that’s largely why I’m here.”
Halle is one of the most highly paid actresses in Hollywood to date and is also considered to be one of the most beautiful. She has frequently been included on “Most Beautiful People” lists compiled by magazines such as People, Esquire and FHM. In 2007, she was awarded her own star on the Hollywood Walk of Fame. She has been married three times and has two children. She is currently 50 years old and lives in Los Angeles, California.
Halle Berry Quotes:
“I always had to prove myself through my actions. Be a cheerleader. Be class president. Be the editor of the newspaper.” –Halle Berry
“I’ve always liked to go down a different path. Being a woman of color, I never followed a cookie cutter way.” –Halle Berry
“The worst thing a man can ever do is kiss me on the first date.” — Halle Berry
“I am my best self when I have super-short hair. That’s when I feel most like me and most confident.” — Halle Berry
“Being thought of as “a beautiful woman” has spared me nothing in life. No heartache, no trouble. Beauty is essentially meaningless.” –Halle Berry
“I’ve pretty much learned I can let that [being black] hinder me if I want to … or I can fight for different kinds of roles.” — Halle Berry
“The first step is clearly defining what it is you’re after, because without knowing that, you’ll never get it.” — Halle Berry
“I also have been called that terrible “N” word straight to my face and not known what to do about it because it was just in like 1993 that someone called me that.” — Halle Berry
Model: Jasmine Y. Williams
Photography Credit: M Photography by Randolph Means
From cabaret dancing to her portrayal as the villainous “Catwoman”, this “Santa Baby” songtress has done it all. The masses would agree that Eartha Kitt has lived an extraordinarily vibrant life. Once described as being “the most exciting woman in the world” by famed director Orson Welles, Miss Kitt seemlessly captivated her audiences for more than six decades. Let’s take a deeper look at the woman that seduced America.
Born in a small town of North located in Orangeburg County SC on January 17, 1927, Eartha Mae Kitt was conceived out of rape. Growing up very poor, she also suffered through the physical and mental abuse inflicted upon her by relatives. Miss Kitt endured the harsh realities of being a light skinned black girl situated in the deep south in the 1920s and 1930s. She was often referred to as “yella gal” and not accepted by the black community due to her mixed-race heritage.
Her mother was of African American and Cherokee decent, and her father was white. It was later discovered that her birth father’s name was concealed and blacked out on her birth certificate (a document in which she’d never seen until the age 71.) Previously, Miss Kitt had attempted to locate this record in the 1950s but was unsuccessful. For most of her life, she did not know her exact birthday. After being invited to speak at Benedict College, she charged the students with the challenge of locating her birth certificate and they did so successfully.
At the age of 8, Miss Kitt was sent to New York to live with a relative in Harlem. Although she was given piano and dance lessons, Kitt continued to be the recipient of abuse. This viscous cycle often prompted her to run away, and then she would return. By her teenage years, she was working in a factory and sleeping at friends’ homes or in subways. She would later become an advocate for homeless children.
At 16yrs old, Miss Kitt got her break into showbusiness on a whim, when one of her friends dared her to audition for the Katherine Dunham Dance Troupe, which was the first African-American modern dance company. She passed the audition and permanently escaped the cycle of poverty and abuse that defined her life then. By the age of 20, she had toured all over the world.
Miss Kitt won awards for her music, film, television, and broadway performances. In 1960, the Hollywood Walk of Fame honored her with a star. She spoke four languages and sang in seven different languages. She had a plethora of career highlights which included the following: three Tony Award nominations, two Grammy Award nominations, two Emmy Award nominations, and the recipient of three Annie Awards for Voice Acting work in “The Emperor’s New Groove”, “Kronk’s New Groove”, and “The Emperor’s New School.”
In 1967 she made the role of Catwoman her own when she became the first black woman to achieve mainstream TV success in America with the series Batman. She broke racial taboos by flirting with Adam West in the lead role. She took over the role from Julie Newmar who had scheduling conflicts. Eartha brought a more mysterious and ruthless Catwoman to the series. With her lissome, cat-like frame and her distinguished voice, she immediately embodied the character. Her trademark purr became imitated worldwide, leaving an indelible mark on pop culture.
In 1968 Miss Kitt was invited to the White House to attend a luncheon hosted by Lady Bird Johnson. At the event, Kitt spoke out against the Vietnam War, telling the First Lady that “You send the best of this country off to be shot and maimed. No wonder the kids rebel and take pot.” Her remarks against the Vietnam War offended Mrs. Johnson, and erupted a media firestorm. Her popularity took a significant noise-dive after that. For several years after the incident occurred, Miss Kitt was blacklisted in the U.S. The CIA had branded her “a sadistic nymphomaniac” and she was forced to work abroad where her reputation remained untarnished. However in 1978, President Jimmy Carter invited her back to the White House and that same year she earned her first Tony nomination for her work in “Timbuktu.”
She kept a busy work life well into her 70s. She regularly charmed New York nightclubs with her performances at The Cafè Carlyle. She continued to enthrall audiences as she had done so many decades previousy, when she was revered as the toast of Paris. Although Miss Kitt still seemed to have men of all ages wrapped around her finger, she would often toy with younger fans at her shows by suggesting they introduce her to their fathers.
On January 17 2007, Miss Kitt held a celebratory concert in honor of her 80th birthday at Carnegie Hall called “Eartha Kitt And Friends.” The celebrity audience members included Diahann Carroll and Janet Jackson with special guests performances by Tony Award winners Ben Vereen, LaChanze and Tonya Pinkins.
Miss Kitt died on December 25, 2008 and is survived by her daughter, Kitt Shapiro, and four grandchildren.
Eartha Kitt Quotes:
“I am the original Material Girl.”
“I’m an orphan. But the public has adopted me and that has been my only family. The biggest family in the world is my fans.”
“I trust the dirt. I don’t trust diamonds and gold.”
Model: Jasmine Y. Williams
Photography Credit: Alexia Guidry
The Guardian: https://www.theguardian.com/music/2013/oct/19/eartha-kitt-suffered-over-identity
The New York Times: http://www.nytimes.com/2008/12/26/arts/26kitt.html?mcubz=1